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Rabu, 02 Mei 2012

Duchy Petilasan Jipang


Duchy Petilasan Jipang

Duchy Petilasan Jipang Jipang located in the village, district Cepu or 45 kilometers to the southeast of the City Blora. This attraction is an attraction and indigenous cultural heritage in the era of royal Duchy Pajang Jipang Panilan Jipang located in the village, Cepu district that is located right on the Solo River. Besides the central government as well as trade by making use of Bandar Solo river.
Duchy Jipang then, under the Arya Penangsang with the famous magical horse named Crow Rimang, which to this day bear the name RSPD Blora District. Duchy Petilasan Jipang Panolan remaining after destroyed by the Display, the duchy petilasan panolan, petilasan Siti Hinggil, petilasan semayam princess, petilasan river in the afternoon, and petilasan mosque.
Duchy family tomb at that time or the other so-called tomb tomb gedhongan R. Good Sumantri, R Sosokusumo, RA. Sekar Winangkrong, Hero Roro Atmojo solo as well as on the edge of the grave there songo students. Petilasan duchy jipang community frequented pilgrimage or a specific purpose, especially on Thursday. To attract visitors, petilasan jipang duchy, it still requires extra care because the condition is still visible lack of care. While access to the site, can also be reached by private car or motorcycle.

Library Pataba


Library Pataba

Who does not know the figure of Pramoedya Ananta Tur, who is known by a number of literary works. In fact, these writers have been forced from Blora foreign scholars in honor of this nation's children's literature. Library Pramoedya Ananta Tur Child of All Nations (PATABA) which occupies an old house in Jalan Sumbawa 40, Jetis, Blora, easily accessible by anyone who is interested in seeing a collection of Pramoedya. Shade trees and other plants in the yard measuring 350 square meters, seemingly implying that in it there is a space to store the pearls of knowledge that come to give a positive image for the eastern district in Central Java in the eyes of the world.

Libraries are one of them gave birth Institute for Culture and the Environment Tidal is not only visited by people from within the country, even more visitors from abroad. Of the country, figures that had stopped at Pataba of them, Sindhunata, Ajip Rosidi, Lilo Sunaryo, Djoko yell, FX Hoery, Gunawan Budi Susanto, Bowok Kajangan, Babahe Leksono, Muhidin M Dahlan, Imam Bucah, Juwadi, Baskoro, and leaders of various communities and interfaith.

The overseas guests who took time to visit the Dr Etienne Naveau (Institut National des Langues et Civilisations Oriantales / Inalco, France), Prof Dr Koh Hun Young (Vice Chairman of Korea Association of Malay-Indonesian Studies, Seoul, Korea), and group students from various countries such as Australia, Thailand, Germany, France, Italy, Japan, Belgium, and seminary students Asia-Pacific.

Nearly half live Pramoedya Ananta Tur, Blora writer born in 1925 were spent in prison. But also of his birth 50 works have been translated more than 42 foreign languages.
PATABA has a collection of more than 4,000 copies, which consists of books of literature, social sciences, anthropology, religious, and others. In addition, the place also has a collection of photographs of various sizes dominated Pramoedya Ananta Tur photos, as well as several other national figures, such as Ir Soekarno, RA Kartini, Tirto Adhie Soerjo, and Samin Suro Ki Sentiko (spreader samin teachings).

Samin village


Samin village

Blora also has a history of being citizens sedulur sikep or cumin. In fact, in the village which is located in the Village samin Klopoduwur, District Banjarejo, there Blora District Samin village hall which is adjacent to the southern city of berharak Blora about 5 kilometers from the city center.

When entering the region, will be greeted with the typical arch-shaped stupa residents sedulur sikep depanya colored in blue, the surrounding tribal villages samin there are still traditional, clean and with the characteristics of a warm-hearted people.

Access to the site is already using the road paving approximately two meters wide, the rear is still a lot of teak forests and property belonging to the KPH Blora very beautiful, with a legendary history Surosentiko Samin, so that the attraction should be developed and become a mainstay of the City Blora.

Residents samin is known for its honesty and innocence, and always uphold the brotherhood amongst. In fact, residents samin known to be quite friendly to the environment.

Historically, Samin Surosentiko is the son of Raden Surowijaya or better known as Samin Sepuh. Samin was born in 1859, in the village of Ploso Kedhiren, Randublatung, Blora District. Before known as Samin Surosentiko, has the name origin Kohar Raden, then converted into Samin as a name that is popular.

Batik Tulis Blora

Batik Tulis Blora


During this time, almost in a number of areas in Central Java, has a motif typical of each, including Blora district also has a unique batik. Although not as famous as other areas, unique batik Blora also began to demand of consumers from different regions of the country. In fact, foreign tourists also became interested in batik motif typical Blora.
Based on the results penulusuran, batik motifs typical Blora generally similar to the motif of Surakarta, which Manggar flowers, cement romo (tendrils of flowers), and lar (fur). Furthermore, a typical motif Blora developed, such as teak and leaf motif containing Mustika life philosophy and work ethic.
The new motif, introduced in 2008, as a symbol of the potential Blora that 40 percent of its territory is an area of teak forest. Furthermore, in 2009 the local government that carry the batik design Mustika Blora distinctiveness, such as oil refineries, Barongan, tayub, satai, Sedulur Sikep or Samin, and teak leaves.
Blora is known for his produce, such as oil and gas, while the local arts Barongan is trying to be preserved, while satai are foods that are considered typical and quite popular in the city of Blora, so sedulur sikep.

Art History Tayub


Blora Tourism

Art History Tayub

Tayub known since the time of the Kingdom Singosari. First held at King Jumenengan Ametung stumps. Tayub then progressed to the Kingdom of Kediri and Mojopait. In the Age of Empire Demak, art Tayub rarely staged. At that time Age of Empire Demak, Tayub art can only be found in rural areas, the countryside is far from the center of the kingdom.
Over time, since the founding of the kingdom Pajang and Mataram, this art began to be exhumed. In fact, at that time made Tayub Beksan dance in the palace that was held only at special occasions. Regrettably, however, the Dutch put the negative elements, known as 3C, Kiss, ciu and dab.
Tayub who have been exposed to the negative influence of the Dutch colonizers kept preserved until the government held by Sunan Pakubuwono III. When the government held by Sunan Pakubuwono to IV, he was not pleased with such a negative influence. Finally Tayub set as Pasrawungan dance in the community. Furthermore tayub art has developed in the Sragen, Wonogiri and Purwodadi. Sragen own in the area, many developing arts in the District Tayub Jenar, GeSI, Sukodono, Mondokan and Ngrampal.
Tayub art imagery at the time, aggravated act of male dancers or the audience. First, the dancers are used to give Sawer by entering it into the tank or the drapes chest. Thus arose the impression that penayub was "cheap". However, in this era of such a thing is very rare.